The Distillation of An Essence of Photography
Black and White seems to speak the loudest when discussing the intimate relationship between Light and Shadow in photography however the role color plays in that dialogue should not be under stated simply because it’s voice seems quieter in the conversation or conversely, it is screaming with intent.
Point of Reflection
Kodak T-Max ASA 100, Exposure not recorded.
This seems to be a narration on the very subject of Light and Shadow where you have a very direct light source reflecting off of the water’s surface and illuminating the other otherwise totally dark shadow of the bridge. In this instance Light and Dark are focused around a point of singularity.
Ice Beams
Sony DCR-VX2000 In still capture mode.
I like to explore out of the way locations looking for interesting subjects and compositions which which when built, were not specifically intended for their aesthetic appeal but are usually designed for utility and functionality with aesthetics as an unintended by product.
Ghosts in the Pasture
Shot on Kodak Color Negative Film. ASA 200, Meta Data unrecorded.
Shot early morning on a horse farm in Denver North Carolina. I was compelled into the composition by the stretched shadows all leading to an island of trees in the distance.
Spring Shadows
Shot on Kodak Ektachrome Color Slide Film. ASA 200, Meta Data unrecorded.
Playing with the early morning shadows again.
the conjuror
Sony DCR-VX2000 In Still Capture Mode.
Playing with the early morning shadows again.
New stuff coming
“It’s not the destination. It’s the journey.
That’s what I heard anyway.